Gonzalo Ovejero - almostDesign

Born in Donosti (Guipúzcoa) and raised in Asturias, where he studied graphic design and photography at Escuela de Arte de Oviedo. In 2005, he moved to Catalonia to continue his training in visual arts at Universitat de Barcelona, ​​complementing it with stays at the School of Visual Arts (New York) and the University of West England (Bristol). He is an active member of the Barcelona-based collective BeatMe Lab —which explores the intersections between the arts and new lighting technologies— with which he has participated with audiovisual pieces (mapping, LED lighting, video art, etc.) in festivals such as Off Llum BCN, WAC Lab, and Synapsis Festival. In 2021, he began his career in education as a Multimedia Projects teacher at TAI Arts and in 2022 as a Digital Design teacher at IED, both in Madrid.

Gonzalo Ovejero - almostDesign

Born in Donosti (Guipúzcoa) and raised in Asturias, where he studied graphic design and photography at Escuela de Arte de Oviedo. In 2005, he moved to Catalonia to continue his training in visual arts at Universitat de Barcelona, ​​complementing it with stays at the School of Visual Arts (New York) and the University of West England (Bristol). He is an active member of the Barcelona-based collective BeatMe Lab —which explores the intersections between the arts and new lighting technologies— with which he has participated with audiovisual pieces (mapping, LED lighting, video art, etc.) in festivals such as Off Llum BCN, WAC Lab, and Synapsis Festival. In 2021, he began his career in education as a Multimedia Projects teacher at TAI Arts and in 2022 as a Digital Design teacher at IED, both in Madrid.

Gabriel Guirao

Sound engineer, pianist, and composer with a degree in Musicology from the Universitat Autónoma de Barcelona, ​​he began his musical studies at the age of five in various schools such as Música Activa and Taller de Músics, among others. He grew up alongside 1980s electronic music under the guidance of his father, Carlos Guirao, a founding member of the electronic group NEURONIUM, one of the first electronic music groups in Spain. His musical work stands out for its use of analog and digital synthesis, with self-produced albums such as APPLE SEA (2020) and WHAT'S LEFT TO ENJOY (2022). In addition to composing electronic music, he has written and conducted music for orchestra with the work BRANQUES D'ESTIU (2019). During his audio production studies at the SAE in Barcelona, ​​​​he won the "Best Musical Production" award for the song LOVE IT SO (2022). Today he does production work for artists, where he is responsible for composition, recording, mixing, and mastering.

Gabriel Guirao

Sound engineer, pianist, and composer with a degree in Musicology from the Universitat Autónoma de Barcelona, ​​he began his musical studies at the age of five in various schools such as Música Activa and Taller de Músics, among others. He grew up alongside 1980s electronic music under the guidance of his father, Carlos Guirao, a founding member of the electronic group NEURONIUM, one of the first electronic music groups in Spain. His musical work stands out for its use of analog and digital synthesis, with self-produced albums such as APPLE SEA (2020) and WHAT'S LEFT TO ENJOY (2022). In addition to composing electronic music, he has written and conducted music for orchestra with the work BRANQUES D'ESTIU (2019). During his audio production studies at the SAE in Barcelona, ​​​​he won the "Best Musical Production" award for the song LOVE IT SO (2022). Today he does production work for artists, where he is responsible for composition, recording, mixing, and mastering.

Aixa Guerra

Trained as a dancer, singer and actress in Barcelona, ​​New York and London, she has worked as a choreographer and movement adviser for productions such as FOR EVITA by Jordi Prat i Coll, DECADENCE by Pedro Casablanc, SONDHEIM x SONDHEIM and FOLLIES by Mario Gas, LA CAGE AUX FOLLES by Àngel LLàcer (2018), CASI NORMALES by Luís Romero, MOLT SOROLL PER NO RES by Àngel Llàcer, BARCELONA by Pere Riera, CRUÏLLES by Luca Silvestrini, EL SOMNI DE MOZART by "El Musical Més Petit", among others. She has worked as a performer in musicals such as "West Side Story" and "Angels" (by R. Reguant), "Guys & Dolls" (by M. Gas), "Adéu a Berlín" (directed by J. Costa), "La filla de la Frau" (directed by David Sánchez), and in plays such as "Lulu" (by M. Gas). She has participated in Nigel Charnock's dance/theater creation (DV8) at La Caldera and in "Sala d'espera" directed by Carol Dilley. She has extensive experience training artists at institutions such as: Escuela Varium, Institut del Teatre, Escola Aules, Escola de Teatre Musical Coco Comín, Som-hi Escola de Formació Dansa, Escuela James Carles in Toulouse (France), and Escuela 180° in Madrid.

Aixa Guerra

Trained as a dancer, singer and actress in Barcelona, ​​New York and London, she has worked as a choreographer and movement adviser for productions such as FOR EVITA by Jordi Prat i Coll, DECADENCE by Pedro Casablanc, SONDHEIM x SONDHEIM and FOLLIES by Mario Gas, LA CAGE AUX FOLLES by Àngel LLàcer (2018), CASI NORMALES by Luís Romero, MOLT SOROLL PER NO RES by Àngel Llàcer, BARCELONA by Pere Riera, CRUÏLLES by Luca Silvestrini, EL SOMNI DE MOZART by "El Musical Més Petit", among others. She has worked as a performer in musicals such as "West Side Story" and "Angels" (by R. Reguant), "Guys & Dolls" (by M. Gas), "Adéu a Berlín" (directed by J. Costa), "La filla de la Frau" (directed by David Sánchez), and in plays such as "Lulu" (by M. Gas). She has participated in Nigel Charnock's dance/theater creation (DV8) at La Caldera and in "Sala d'espera" directed by Carol Dilley. She has extensive experience training artists at institutions such as: Escuela Varium, Institut del Teatre, Escola Aules, Escola de Teatre Musical Coco Comín, Som-hi Escola de Formació Dansa, Escuela James Carles in Toulouse (France), and Escuela 180° in Madrid.

Daniel Miracle

Graduated in Fine Arts (UCM) with additional training in architecture (UPC), film (CECC), and electroacoustics, he has developed projects in Barcelona, ​​Latin America, Europe, and Africa. He currently coordinates the Telenoika Cultural Association, works as a digital set technician at TV3, and teaches at the UOC. His work merges analog and digital media, with a critical approach to communication and community culture. He is the founder of Neokinok.tv (1998), an experimental television platform with projects such as TVLATA (Brazil) and Mango Dja (Mali). He has collaborated with institutions such as Laboral Centro de Arte (Asturias), AECID, CCCB, and festivals like LlumBCN and Sónar, creating installations, webTV, and streaming content using open-source technologies. As an artist, he has exhibited at centers such as ZKM (Germany), Fundació Tàpies, and Centre Pompidou (Paris), and has worked with figures such as Lynn Margulis, Olga Mesa, and Rogelio López-Cuenca. In the performing arts, he designs lighting and audiovisuals for companies such as El Conde de Torrefiel or Roger Bernat.

Daniel Miracle

Graduated in Fine Arts (UCM) with additional training in architecture (UPC), film (CECC), and electroacoustics, he has developed projects in Barcelona, ​​Latin America, Europe, and Africa. He currently coordinates the Telenoika Cultural Association, works as a digital set technician at TV3, and teaches at the UOC. His work merges analog and digital media, with a critical approach to communication and community culture. He is the founder of Neokinok.tv (1998), an experimental television platform with projects such as TVLATA (Brazil) and Mango Dja (Mali). He has collaborated with institutions such as Laboral Centro de Arte (Asturias), AECID, CCCB, and festivals like LlumBCN and Sónar, creating installations, webTV, and streaming content using open-source technologies. As an artist, he has exhibited at centers such as ZKM (Germany), Fundació Tàpies, and Centre Pompidou (Paris), and has worked with figures such as Lynn Margulis, Olga Mesa, and Rogelio López-Cuenca. In the performing arts, he designs lighting and audiovisuals for companies such as El Conde de Torrefiel or Roger Bernat.

Rhianna Scott

Originally from Winnipeg, MB (Canada), she trained in various dance styles during her childhood, but focused primarily on Tap Dance. She was part of the pre-professional company LANGUAGE OF RHYTHM, under the direction of Ella Steele, where she trained in musicality, technique, and improvisation. In March 2024, she immersed herself for two weeks in the Heather Cornell Legacy Project, with guest artist Dianne Walker. She participated in the Residency Program of renowned dancer Brenda Bufalino in August 2024, where she worked on the repertoire she later performed at the Toronto International Tap Dance Festival. During the 2024-2025 season, she completed the Professional Tap Dance Training Program at Escola Luthier Dansa. Over the years, she has attended numerous tap dance festivals, workshops, and residencies worldwide, and recently became an alumna of Jacob’s Pillow Tap Program (summer 2025). She has collaborated on numerous dance events, such as the Nuvo Dance Convention, Sol Dance Collective and Sarah Reich's Tap Music Project.

Rhianna Scott

Originally from Winnipeg, MB (Canada), she trained in various dance styles during her childhood, but focused primarily on Tap Dance. She was part of the pre-professional company LANGUAGE OF RHYTHM, under the direction of Ella Steele, where she trained in musicality, technique, and improvisation. In March 2024, she immersed herself for two weeks in the Heather Cornell Legacy Project, with guest artist Dianne Walker. She participated in the Residency Program of renowned dancer Brenda Bufalino in August 2024, where she worked on the repertoire she later performed at the Toronto International Tap Dance Festival. During the 2024-2025 season, she completed the Professional Tap Dance Training Program at Escola Luthier Dansa. Over the years, she has attended numerous tap dance festivals, workshops, and residencies worldwide, and recently became an alumna of Jacob’s Pillow Tap Program (summer 2025). She has collaborated on numerous dance events, such as the Nuvo Dance Convention, Sol Dance Collective and Sarah Reich's Tap Music Project.

Andrea Villegas

She holds a Bachelor's degree in Architecture from the Isthmus School of Architecture and Design in Panama. She also holds a Master's degree in Set Design for Theater, Film, and Television from the ELISAVA School of Design and Engineering, University of Barcelona, ​​Spain. In Barcelona, ​​she completed intensive studies and professional training in Tap Dance at Escola Luthier Dansa. She graduated from the Teresa Mann School of Dance (EDTM) in 2013. She was a member of the Teresa Mann Ballet, the competition team, and the Musical Theater Program. She is the founder of the first Tap Dance company in Panama, Panama TAP Company (PATAPCOM), and the international Tap Dance festival in Panama, TAP in PA. She is a Tap Dance teacher at the Teresa Mann Dance School and the STEPS Dance Academy. She is the owner and an active partner of the architecture and design studio Cuarta Raíz, where she develops, designs, builds, and manages interior design, architecture, urban planning, and set design projects for theatrical productions and commercial projects. She has participated in the development of museum exhibitions and is dedicated to cultural management and the planning of artistic calendars.

Andrea Villegas

She holds a Bachelor's degree in Architecture from the Isthmus School of Architecture and Design in Panama. She also holds a Master's degree in Set Design for Theater, Film, and Television from the ELISAVA School of Design and Engineering, University of Barcelona, ​​Spain. In Barcelona, ​​she completed intensive studies and professional training in Tap Dance at Escola Luthier Dansa. She graduated from the Teresa Mann School of Dance (EDTM) in 2013. She was a member of the Teresa Mann Ballet, the competition team, and the Musical Theater Program. She is the founder of the first Tap Dance company in Panama, Panama TAP Company (PATAPCOM), and the international Tap Dance festival in Panama, TAP in PA. She is a Tap Dance teacher at the Teresa Mann Dance School and the STEPS Dance Academy. She is the owner and an active partner of the architecture and design studio Cuarta Raíz, where she develops, designs, builds, and manages interior design, architecture, urban planning, and set design projects for theatrical productions and commercial projects. She has participated in the development of museum exhibitions and is dedicated to cultural management and the planning of artistic calendars.

Ganecha Gil

Trained at the IEFC (Institut d’Estudis Fotogràfics de Catalunya) and the TTE (Taller de tecnologia de l’espectacle), she has over twenty-four years of experience working in performing arts lighting as a lighting designer, lighting technician, and technical director. She has worked on shows by Gelazzo, Sol Picò, Ivan Benet, Guillem Albà, and at the Petit Liceu, among others, and in theaters and production companies such as Bitò Produccions, Temporada Alta, GrandSlam, Teatro Nu, Balañá, Sala Beckett, Foco, Nostromo Live, Teatre Nacional de Catalunya, Teatre Lliure, La Zona, and Teatro de la Comedia. Her most recent lighting designs include: “L’oncle Vània” directed by Oskaras Korsunovas/Bitò Producciones, and “Quant temps em queda?” by Marta Buchaca/ La Pocket at the Teatre Goya, “Bonobo” by Josep Julien/ Temporada Alta, “Uppgivenhet” by Dani Meyer/ Cia Aka at the Teatre Nacional de Catalunya, “El cine” directed by Marilia Samper at the Teatre Lliure, “Jo, travesti” by Josep Maria Miró/Cia. Roberto G. Alonso, “Dos hidalgos de Verona” directed by Declan Donellan and Nick Ormeod/ La Zona and premiered at the Teatro de la Comedia in Madrid. Currently working on the lighting design for “Com vaig aprendre a conduir” directed by Marilia Samper, premiering at the Sala Beckett.

Ganecha Gil

Trained at the IEFC (Institut d’Estudis Fotogràfics de Catalunya) and the TTE (Taller de tecnologia de l’espectacle), she has over twenty-four years of experience working in performing arts lighting as a lighting designer, lighting technician, and technical director. She has worked on shows by Gelazzo, Sol Picò, Ivan Benet, Guillem Albà, and at the Petit Liceu, among others, and in theaters and production companies such as Bitò Produccions, Temporada Alta, GrandSlam, Teatro Nu, Balañá, Sala Beckett, Foco, Nostromo Live, Teatre Nacional de Catalunya, Teatre Lliure, La Zona, and Teatro de la Comedia. Her most recent lighting designs include: “L’oncle Vània” directed by Oskaras Korsunovas/Bitò Producciones, and “Quant temps em queda?” by Marta Buchaca/ La Pocket at the Teatre Goya, “Bonobo” by Josep Julien/ Temporada Alta, “Uppgivenhet” by Dani Meyer/ Cia Aka at the Teatre Nacional de Catalunya, “El cine” directed by Marilia Samper at the Teatre Lliure, “Jo, travesti” by Josep Maria Miró/Cia. Roberto G. Alonso, “Dos hidalgos de Verona” directed by Declan Donellan and Nick Ormeod/ La Zona and premiered at the Teatro de la Comedia in Madrid. Currently working on the lighting design for “Com vaig aprendre a conduir” directed by Marilia Samper, premiering at the Sala Beckett.